Applause in his debut on the stage of the Cagliari Opera for the Israeli pianist Tom Borrow , star of the keyboard and promise of international concert, protagonist in the eighth appointment of the concert season.
At ease with a repertoire as fascinating as it is demanding, the musician from Tel Aviv, born in 2000, charmed the audience with his refined technical and interpretative qualities.
His interpretation of Chopin has a strong impact, with a very personal, passionate rereading, full of ideas and nuances, of the famous pieces, the Third Ballad, the Fantasia op.49 and the Polonaise op.62, a much loved composition.
An itinerary through the romantic atmospheres of the first half of the nineteenth century to the Central European ones of the early twentieth century to get to the Russian ones, in the middle of the Second World War.
The concert opened with Janacek's "eloquent" 1.X.1905 and, after Chopin, Prokofiev's Sixth Sonata ended the evening with a performance characterized by expressive intensity and brilliant virtuosity.
Meanwhile, Cagliari is waiting for the next choral symphonic appointment which, on June 3rd and 4th, marks the return to the podium of Donato Renzetti, appreciated in past years. The program includes the performance of Aleksandr Nevskij, cantata for mezzo-soprano, chorus and orchestra by Sergej Prokof'ev and then "Pictures of an exhibition" by Modest Musorgskij in the transcription for orchestra by Ravel.
(Unioneonline / vl)
