Jacopo Cullin: 90 minutes of irrepressible laughter
The show at the Conservatory, a crowded room for the acclaimed actor
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Jacopo Cullin's show begins: lights, theme songs, applause and it is the fifth time in fifteen days that this has happened in Cagliari.
The Conservatory's auditorium is as full as an egg. Tonight there is the sixth and last replica, after those of Sassari and Nuoro, equally sold out. But more will arrive soon as requests are increasing every day.
At a guess, as in the glorious times of the Roman Amphitheater that Cullin has always filled, in six days there will be 5,000 spectators who will have crowded the room, in complete safety, of course, with FFP2 masks and reinforced green pass, to attend a an entirely Sardinian production: therefore not for a rock star from beyond the Tyrrhenian Sea or made in the USA, but for an actor from Cagliari who is as good as he is also appreciated on the national circuit. He was, in fact, one of the protagonists in the TV series "The investigations of Lolita Lobosco" aired in prime time on Rai1, as well as boasting a respectable curriculum that crowns him as one of the most successful Sardinian actors in Italy.
Salvatore Pilloni begins suffering from the plague of "murigo" and with his social overdose, lovingly cared for by the family psychologist, an excellent Gabriele Cossu, a friend of Cullin's always and a perfect co-star with that degree of complicity that makes everything even tastier.
The two beaches of the second act are for Signor Tonino struggling with his son Roberto and with a sad and disconsolate Gabriele Cossu in the role of a faithful and repentant husband.
The closure is all for Angioletto Biddi 'e Proccu, from the bench of his church, tormented by the dilemmas of Covid and vaccines but always ready to unleash the biblical stories revised and corrected to a Gabriele Cossu at ease in the role of a tormented husband, who he just can't hold back the laughter by dragging Angioletto himself: won by his own jokes, Biddi 'e Proccu improvises a defense that is perhaps even more comical than the original script. The music intervenes, performed by Matteo Gallus, accompanied by Riccardo Sanna on the accordion and Andrea Lai on the double bass, and the last act ends in the general triumph.
LP