The Caats- Cunsorziu Artistas Artesanos Turritanos Sardos, thanks to the contribution of the Foundation and the Sardinia Region, presents two unique events as part of the "Il Rumore delle Pagine" festival. On December 13th, at 7:30 pm, Murubutu, a rapper and singer-songwriter beloved especially by the younger generations, will be at the Fògu Braceria in Porto Torres with "Talk in Letteraturap." On the 18th, at 9 pm, at the TD Lemon Social Club in Sassari, Pierpaolo Capovilla, the charismatic founder of the rock group Il teatro degli orrori, will revive the tormented genius of Antonin Artaud with "Interiezioni - Ropina poetica e fuga a gambe veloce dagli orrori dell'ideologia psichiatrica." On Saturday the 13th, Murubutu, the stage name of Alessio Mariani, a philosophy and history professor and established rapper, will discuss the relationship between music and literature with Stefania Courson in a talk centered on two key topics: educational rap and the relationship between literature and this genre of musical writing. Drawing on his experience working with young people, both as a teacher and as a rapper, Murubutu retraces the genesis and evolution of rap in Italy, highlighting its literary components, expressive peculiarities, and developmental stages from the 1990s to the new linguistic codes of trap. He also explores its relationship with poetry and classical and contemporary narrative. After the talk, you can enjoy the Giro Carne della Braceria by reserving a table at 079 4927957. With Interiezioni, Thursday, December 18th at 9 pm at the TD Lemon Social Club in Predda Niedda, Pierpaolo Capovilla, lead singer of the rock group Il Teatro degli Orrori, will lead the audience in a poetic and experimental event that combines the painful and angry verse of Antonin Artaud with an irreverent and irreverent interpretation. "Interiezioni - Piñata Poetica e Fuego Garaada dalla Orrori dell'Ideologia Psicologia" (Interjections - Poetic Robbery and Flight at Full Speed from the Horrors of Psychiatric Ideology) stages texts from "Succubi e Tormenti," which Artaud wrote in 1946 between electroshock treatments in the Rodez mental asylum. A meta-theatrical performance balancing poetry and experimentation, conceived by Capovilla in the spirit of great twentieth-century poetry revisited in the spirit of contemporaneity. Pierpaolo Capovilla, already a protagonist of numerous other meta-theatrical projects, including "Eresia" (Heresy) by Mayakovsky and "La Religione del mio Tempo" (The Religion of My Time) by Pier Paolo Pasolini, this time turns his gaze to the themes of madness and psychiatric ideology, of rebellion and emancipation from the unfathomable solitude of the individual in the face of the oppressive and murderous force of modern society.

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