"Artificial": Luca Guadagnino's return to film has won over international critics.
The story inspired by Sam Altman, founder of OpenAI, received a shower of acclaim at the New York Film Festival.Per restare aggiornato entra nel nostro canale Whatsapp
Luca Guadagnino's "Artificial" looks like another successful coup. The Italian director, currently the most sought-after by international stars, behind recent hits like "Queer" and "After the Hunt," has once again captured the media spotlight following the exclusive screening at the New York Film Festival of his latest film, inspired by none other than the complex figure of Sam Altman, founder of OpenAI, and the dark machinations of the intricate world of artificial intelligence.
Based on a screenplay by Simon Rich and starring Academy Award nominee Andrew Garfield, “Artificial” focuses on the five-day crisis that struck the AI development company in November 2023, when, amidst largely shrouded in mystery, the board of directors decided to remove Altman from his position, only to reinstate him shortly thereafter, under pressure from over seven hundred employees and investors, who had feared the company would collapse. Garfield, who is always impeccable, is joined by a top-notch cast, including Monica Barbaro, Yura Borisov, Ike Barinholtz, Jason Schwartzman, Billie Lourd, Cooper Hoffman, Mark Rylance, and Chris O'Dowd.
Even before the press preview, the title had been widely discussed due to the ongoing difficulties in finding a partner interested in distributing it. Last June, after developing the project internally and setting a release date for early 2027, Amazon MGM Studios retracted its previous agreements and ceased all further involvement, saying, according to official statements, the title would be "better served by another studio." This decision, curiously, coincided with the film's completion and, more importantly, following the strengthening of the commercial relationship between Amazon and OpenAI. It cannot be ruled out, therefore, that this decision was made precisely to prevent the film's sensitive content from somehow hindering negotiations between the two companies.
The issue further escalated after rejections from companies like Netflix, A24, and Focus Features. Just two months later, NEON, the American distribution company that currently holds the record for seven consecutive Palme d'Or wins at the Cannes Film Festival, stepped in to save the day. The company is preparing to return to theaters next November with Cristian Mungiu's moving "Fjord." Having acquired the rights to the film, the company is currently busy promoting it at major film events, awaiting its scheduled release in the U.S. on December 25th and in Italian theaters in January of next year.
As mentioned at the outset, the New York Film Festival proved to be the ideal setting to present "Artificial" to the public for the first time, showcasing its artistic value and, no less importantly, its disturbing message. Based on the impressions gathered following the screening on October 5th, the film left those in attendance speechless, with the first online reviews, published shortly thereafter, giving it full marks.
From what has emerged, "Artificial" focuses primarily on the ethical ambiguities and private ambitions of those tasked with managing the evolution of artificial intelligence, only addressing the actual development of the technology in the background. The result is a dark comedy punctuated by internal struggles and subtle power games, dictated by economic interests that hamper any real prospect of progress.
Among the many comments, Matt Neglia of Next Best Picture called the film: "As entertaining as it is terrifying. A brilliantly written human story about power, control, ambition, and greed, it may be the most urgently relevant film of our time." There was also no shortage of praise for Garfield, who seems to have won over the audience with the ambivalent nature of his character, simultaneously charismatic and treacherous. The most positive review came from Clayton Davis of Variety, who called "Artificial" "Guadagnino's best film in a decade." A comprehensive reflection also came from critic Owen Gleiberman, who, after considering the film "the true sequel to The Social Network," added: "As you watch the film, the artificial intelligence comes to life like a character, becomes real: you can grasp its essence, its meaning, what's at stake. The result is a film that is both thought-provoking and deeply disturbing, and once you've finished, it leaves you in a different state of mind."
