Pablo Trincia's "The Wrong Man – A Live Investigation" continues to be a resounding success, with sold-out performances in numerous Italian cities and new performances added weekly. Among the most anticipated new additions to the program is the Sardinian debut of the renowned journalist and television writer: Pablo Trincia will be in Cagliari at the Teatro Massimo on May 4th and 5th at 9:00 PM, and will return to the Teatro Civico in Sassari on May 6th at the same time.

Rome will welcome him on September 14th at the Auditorium Parco della Musica. The tour, which began in December 2025, is currently visiting Italy's major theaters, leading audiences into a dark history and an uncomfortable truth through videos, original testimonies, court documents, and archival images.

At the center of the show, directed by Trincia himself with Debora Campanella and featuring contributions from Martina Cataldo, is the chilling case of Ezzeddine Sebai, a Tunisian serial killer who, in 2006, confessed from prison to fourteen murders of elderly women committed in southern Italy in the mid-1990s. This revelation calls into question dozens of previously concluded trials and final sentences: some of those crimes have involved innocent people who have been fighting for years to prove their innocence.

"I'm bringing a terrible case from the criminal justice system to the theater," explains the protagonist, "a story riddled with investigative errors that have had devastating consequences for entire families already weakened by poverty and destitution. The idea is to draw the audience into the story, to take them on a journey through the shadows of Italian justice, so that they leave the theater with their heads full of questions and their hearts filled with indignation."

"I've long dreamed of telling a story in our country's theaters," concludes Trincia, two-time winner of the Ilaria Alpi Prize and the Estense Prize in 2020 with "Veleno," published by Einaudi. "Now I finally have the opportunity to do so. I love the stage, the anticipation, the energy, the idea of being among people, hearing them breathe while listening to a burning story. For me, theater marks the beginning of a new professional journey and a new phase in my life ."

This project, produced and distributed by Gianluca Bonanno for Ventidieci and Stefano Francioni, with the support of Isa Arrigoni, represents a turning point in the way current affairs and news are reported: a new, courageous, and profoundly human format.

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