Visions of a dystopian future in "Mille", an original and surreal comedy focused on the "paradox of kindness" written and directed by Andrea Muzzi, a new production by BAM Teatro, starring Ninni Bruschetta, chameleon-like interpreter and well-known face of the great and the small screen, from "Boris" to "A place in the sun", through films such as "The life I would like", "The boy judge", "The man more" and "My brother is an only child", up to the recent “Spaccaossa”, with an intense theatrical career to her credit, and Annagaia Marchioro, volcanic actress and author with a marked comic vis, creator of characters such as Gina Francon and Suor Forcades, who appeared on television in programs such as Saturday Night Live, Stati Generali and Girls TV.

The piéce, which will have its national premiere tomorrow, Wednesday 15, at 8.30 pm at the Teatro Massimo in Cagliari, will remain on the bill until February 19, always at 8.30 pm except Sundays (starting at 7.00 pm), as part of the La Grande Season Prose organized by Cedac, Multidisciplinary Circuit of Live Performance in Sardinia chaired by Antonio Cabiddu.

The ironic and bittersweet show, one of the key events on the bill signed by the artistic director Valeria Ciabattoni for the Cagliari debut of the famous Sicilian actor among the protagonists of the TV series dedicated to General Carlo Alberto Dalla Chiesa broadcast on Rai 1 in recent months, projects in a future, in hindsight not too distant, an exaggerated version of the barbarism that we already live in the present, in the spread of foul language and offence, often gratuitous, where any form of respect and understanding of the other is banned in favor more elementary and in some ways "liberating" outbursts of aggressiveness and vulgarity.

"One thousand" is simply a number, that of the umpteenth "case" that happened on the desk of Costanza Guarnieri, an intransigent official and iron bureaucrat, grappling with the inexplicable behavior of a citizen, Pietro Marconi, guilty of not having reacted to to the heavy insults from another motorist, understandably enraged, for having had to wait a good thirty-seven seconds before being able to leave again after the passage of the traffic light to green.

The crime of the protagonist, a meek and kind man, is not having hesitated before passing the intersection just enough to unleash the wrath of the other, given that indifference to the needs and haste of others is perfectly functional to the system, but having remained silent instead of responding in kind: a dangerously extravagant behavior contrary to the rules of "normal" coexistence based on hatred.

Ninni Bruschetta and Annagaia Marchioro, interviewed by the journalist and theater historian Nicola Fano, will meet the public on Thursday 16 at 17.30 in the Fuaié of the Teatro Massimo, to explore themes and language of the show with a focus on contemporary drama and the relationship between art and society .

LP

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