Maria Amelia Monti and Roberto Turchetta on tour in the theaters of the island
The Cedac Grand Prose Circuit brings to the stage "The Wig" by Natalia Ginzburg under the direction of Antonio Zavatteri
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Scenes from a wedding in the background of Italy in the Sixties and Seventies with "La Parrucca", a play that brings together two unique acts by Natalia Ginzburg, "Paese di Mare" and "La Parrucca", in fact, centered on the events of a somewhat "problematic", on the bill today (Sunday 3) at 9pm at the "Antonio Garau" Theater in Oristano, then the day after tomorrow at 9pm at the "Tonio Dei" Theater in Lanusei, Wednesday at 9pm at the Cine Teatro "Olbia" in Olbia and finally Thursday 7th at 9 pm at the Teatro del Carmine in Tempio Pausania.
The show, starring two beloved interpreters of the Italian theater such as Maria Amelia Monti and Roberto Turchetta, is one of the most anticipated events of the 2021-2022 Prose Season organized by CeDAC / Multidisciplinary Circuit of Live Entertainment in Sardinia chaired by Antonio Cabiddu with the artistic direction of Valeria Ciabattoni.
The new mise en scène of "La Parrucca" bears the signature of the Nidodiragno / CMC production directed by Antonio Zavatteri with the scenography and lighting design by Nicolas Bovey, the costumes and props by Sandra Cardini and the original music by Massimiliano Gagliardi.
The polite style of Natalia Ginzburg and her acute perception of reality, beyond appearances, give her theater a freshness and a naturalness that go beyond the idea of "fiction", ideally leading the audience "inside" the story, almost involuntary spectator of the small and large tragedies that are consumed between anger and disenchantment, while the characters lay bare and tell "their" truth.
Natalia Ginzburg tells about love (and disaffection), the instability of ties and the uncertainty of the future, through the image of two intertwined existences, united by a ring and a ritual, showing a realistic cross-section, or perhaps better hyperrealistic, in which nothing seems to happen but under the placid surface of the routine thoughts, impulses and desires are agitated that undermine the rules and principles of bourgeois morality and concern such universal themes as to be, after fifty years, of surprising modernity.
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