From Sardinia to California, passing through Burkina Faso and India. Many facets and points of view that investigate the theme of the city, the relationship between the urban and the human.
After the preview in Alghero, the fourth edition of "Asincronie" arrives in Sassari , a Festival of Documentary Cinema and Photography conceived and curated by the collective of filmmakers and photographers 4CaniperStrada, with the patronage of the Alghero Foundation and the support of the Sardinia Foundation and the Region Sardinia.
From 27 June to 1 July, the Cityplex Moderno in viale Umberto will offer free admission screenings of films (again at 9 pm), while the Spazio Bunker in via Porcellana 17/A will host the photographic exhibition "Anatomic Narrations" by Veronica Muntoni , the urban photography workshop "Guida bella ai posti brutti" by Arianna Lodeserto and that of cinema in Super 8 "A reduced pitch" by Riccardo Pascucci/Bottega Analogica.
It starts on June 27 with two documentaries that investigate the urban-human relationship with a look "from the past" , according to the asynchronous perspective that characterizes the festival: "Village of bandits" by Lars Madsén, in collaboration with the Cineteca Sarda, episode of a series entitled “Journey to Sardinia” filmed in the 1960s by Swedish TV, and “Daguerréotypes”, a documentary made in the mid-1970s by film master Agnès Varda. In collaboration with the Cineteca di Bologna.
Among other works, it is worth mentioning “The country of upright people” by Christian Carmosino Mereu, “Ciudad Lineal” by Riccardo Bertoia, “Italia. Theory for a family film” by Mario Blaconà, “I tornanti” by and with Jonathan Zenti, “Last Stop Before Chocolate Mountain” by Susanna Della Sala, and the audio-documentaries “Passer” by the transdisciplinary artist Valeria Muledda “A Cow a Day”, poet and radio producer Pejk Malinovski's “poetic stalking” of a cow at dawn on the banks of the Ganges.