If it wasn't clear yet, San Siro has made it clear: it's the era of Taylor Swift , who made the stadium shake last night in Milan, in the true sense of the word: for the concert in Zurich a few days ago the Seismic Service Swiss has calculated seismic vibrations measurable up to a distance of six kilometers , and yesterday the show was no different. A small earthquake , like the one triggered in the Lombardy capital by the energy of the 'swifties' , for which a "ciao" said in Italian was enough to release an enthusiasm contained for 13 years . Many have passed since the last stop in our country and the fans - including the designers Pierpaolo Piccioli and Sabato de Sarno of Gucci but also the pilot Charles Leclerc - have had time to prepare to unleash an enthusiasm made up of dances, bracelets, 'fans surprise action and choirs right from the start of the show.
For the Milan dates , the "swifties" who had arrived from all over the world had camped out for days in front of the stadium , braving the rain and the scorching sun and spending crazy sums, with tickets costing thousands of euros to attend a three-hour blockbuster and a half, designed to retrace the many eras of this incredible 34 year old who took on the world from Pennsylvania.
After the performance of the support group, Paramore, a clock ticked the countdown until several dancers came out on stage with enormous wings on their shoulders. They moved to the center of the platform in front of the audience and there she appeared, to the tune of 'Miss America & The Heartbreak Prince' , followed by some of the most loved songs from her discography, including 'Cruel Summer' and 'You Need to Calm Down', belonging to the Lover 'era'.
Each of the ten acts of the show in fact represents an album, with its reference atmospheres, which correspond to sets and changes of clothes .
After the melodic pop that opens the show, we move on to the early country of Fearless, with a fringed dress and acoustic guitar, before arriving at the hits of 'Red', including 'We Are Never Ever Getting Back Together' and 'I Knew You Were Trouble', and at the dances of 'Reputation', while in the sets dedicated to 'Folklore' and 'Evermore' a wooden house and a piano covered in moss appear on the mega stage.
