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The concert

At the Lirico di Cagliari the Armenian musicians Sergey and Lusine Khachatryan

A musical journey between Bach, Schubert, Debussy and Respighi
13 febbraio 2023 alle 12:11
At the Lirico di Cagliari the Armenian musicians Sergey and Lusine Khachatryan
I due musicisti armeni (foto via Ansa)
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The very talented Sergey and Lusine Khachatryan make their debut in Cagliari for the 2023 concert season. An evening of chamber music featuring, tomorrow at 20.30, the two Armenian musicians, brother and sister , he a violinist and winner of both the "Jean Sibelius " of Helsinki and of the "Queen Elisabeth" of Brussels, her award-winning pianist .

A program built around the sonatas of Bach, Schubert, Debussy, Respighi .

A journey in an ideal time machine with authors who, after a century, have proposed immortal songs and important pages.

From the Baroque to the Romantic period, from here to the impressionism of Debussy to reach the Italian twentieth century with Respighi.

THE PROGRAM – The evening opens with Bach on the notes of Partita II in D minor for solo violin: Chaconne. We continue in a leap of a century with Schubert and his Sonata in A major for violin and piano op. 162, composed in 1817.

Another hundred years leap with Debussy and the Sonata n. 3 in G minor for violin and piano 148, written between 1916 and 1917.

The evening closes with Respighi, Sonata in B minor for violin and piano P 110 composed in 1917.

Meanwhile, the Lirico has equipped itself with a bar service, reopened on the occasion of the opening night of the Opera and Ballet season which proposed "Gloria" by Francesco Cilea, directed by Antonio Albanese, scheduled until 19 February. Albanese's show, accompanied by final applause for choir, orchestra, soloists and conductor, presents an impactful scenography full of suggestions . An ancient elegance that permeates the work in an interesting combination of two worlds through sets by Leila Fteita and costumes by Carola Fenocchio: references to an ancestral and mysterious civilization, that of Nuragic Sardinia, and to the Italian fourteenth century, with the addition of fantasy elements between plays of light entrusted to Andrea Ledda and medieval fairy-tale costumes.

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