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Sante, an anti-fascist Garibaldi: the memory of his daughter Annita

Grandson of the Hero and the legendary Anita, he was interned in various concentration camps
Claudio Modesto Ronchi
13 ottobre 2024 alle 10:41Aggiornato il 13 ottobre 2024 alle 11:06
Sante, an anti-fascist Garibaldi: the memory of his daughter Annita
Caprera, un momento della presentazione (foto Ronchi)
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«Unlike some of his brothers who approached the fascist regime, Sante Garibaldi opposed it». Arrested in France by the Gestapo, he was interned in various concentration camps. Released in 1945, he died a year later as a result of the suffering endured during his imprisonment. Paolo Lisca, a teacher at the Dettori-De André Tempio Pausania High School, spoke about him, the son of Ricciotti Garibaldi, son in turn of the Hero and the legendary Anita, in recent days in Caprera, on the occasion of the European Heritage Days, presenting the book, fresh from the press, published by Paolo Sorba, written by his daughter, Annita Garibaldi Jallet, entitled: “A Garibaldi, Sante, my father”. Among others, the presentation was attended by Sergio Cappai, director of the Garibaldini Museums of Caprera; Gianvincenzo Belli, councilor for Culture of La Maddalena; Antonello Tedde, president of the ANVRG Section of La Maddalena; the author and the publisher.

In Caprera, Sante's father was also discussed, commenting on "Ricciotti, the irredento Garibaldi", a book also written by Anita Garibaldi Jallet, also published by Paolo Sorba.

What the two characters had in common, explained Paolo Lisca, was «certainly the relationship of kinship; Sante, fifth son of Ricciotti, both descend from Giuseppe Garibaldi, a hero with mythical connotations, capable of attracting crowds of volunteers to his command, of pursuing ideals of social emancipation and civil progress in the most absolute personal disinterest». However, they lived in different eras: «Ricciotti was born in 1847 and Sante in 1885, one is the son of the second half of the 19th century while the other is already projected into the 20th century, and this made the difference – explained Lisca – also from the point of view of that respect for the obsequious tradition of Garibaldi; a red thread that binds all the brothers, sons of Giuseppe Garibaldi, which essentially starts from Ricciotti».

And Sante's stance against the fascist regime places him, Paolo Lisca has always maintained, "in the position of being considered the custodian of the family values of the past, and a representative of the Garibaldian tradition in an anti-fascist key, considering that this has a strongly democratic value that has nothing to do with dictatorship".

After some years spent in Egypt, where he had moved when he was very young, and where he gained experience as a builder as well as a cartographer, Sante Garibaldi returned to Italy, taking part in the Greek campaign and then in the war of 15-18; a year before Italy entered the war he fought with the Garibaldi Legion. After the war he moved to France where he continued his activity as a building contractor. It was in 1924, after the death of his father Ricciotti and the assassination of Giacomo Matteotti, that he distanced himself from the fascist regime.

«The book about Sante struck me very emotionally because it is dramatic, telling dramatic events: there are few real moments of cheerfulness that we can find in the story that Sante himself tells of his life, going back in memory», said Lisca. «But I also found it to be of a heartbreaking tenderness, highlighted in a wise way by the publisher, on the cover of the volume, where we have the figure of Sante, in the foreground, in one of his best moments, with a smile, and his little daughter Anita, 4 years old, and in the background a construction site». The book, the presenter continued, «can be seen as a sort of ideal dialogue between father and daughter; Sante in fact had put on paper a long memory in which he reconstructed the stages of his life up to 1946, the year of his death. Annita fits into this narration, underlining the salient moments, highlighting the significant passages, the difficult choices made by the father ; sometimes reproaching him, good-naturedly, for the consequences that some choices have brought about, other times asking him questions destined to have no answer; always however showing love and pride, for a father that, in fact, he was not able to know».

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