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"A Battle After Another," Great Anticipation for Paul Thomas Anderson's Film Starring Leonardo DiCaprio

It tells the troubled story of Bob Ferguson, a failed and paranoid revolutionary who took refuge in isolation with his daughter Willa
Giovanni Scanu
21 settembre 2025 alle 15:49
"A Battle After Another," Great Anticipation for Paul Thomas Anderson's Film Starring Leonardo DiCaprio
Leonardo DiCaprio (Ansa)
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For true film connoisseurs, the highly anticipated "Battle of the North" is finally approaching its release. Set for September 25th, the return to the big screen of Paul Thomas Anderson—one of the most acclaimed filmmakers of his generation, creator of masterpieces such as "Magnolia" and "There Will Be Blood"—is once again considered an unmissable event, and the promise of a title worthy of its name seems clear to all.

Based on Thomas Pynchon's novel "Vineland" and starring an unusual Leonardo DiCaprio, the film tells the troubled story of Bob Ferguson, a failed and paranoid revolutionary who has taken refuge in isolation with his daughter Willa. When his sworn enemy reappears and Willa is kidnapped, Bob embarks on a desperate search, while also coming to terms with the consequences of his past. The film also stars Benicio del Toro, Sean Penn, Regina Hall, Teyana Taylor, Chase Infiniti, Wood Harris, and Alana Haim.

None other than Steven Spielberg expressed heartfelt praise for the title, revealing that he had seen the final cut three times and declaring, addressing Anderson directly: "What a crazy movie, my God! There's more action in the first hour of this movie than in any other project you've directed, even putting them together. Everything is truly incredible. This is a collection of things so bizarre and yet so relevant, that I think they became more relevant than they were, perhaps, once you finished the script, finalized your cast and crew, and started production."

Describing the emotions he felt during the screening, he called the comedy "absurd and cutting, so much so that it seems frighteningly contemporary." He added: "This brings with it a kind of absurd comedy, taken very seriously, because it largely reflects what's happening today, every day, across the country. But there comes a point where you want to laugh, because if you don't laugh, you start screaming: it's too real. And so you've found that outlet... More than nervousness, I had a blast laughing the whole time. But it's interesting when you laugh, when you allow us to laugh, and then when you silence us."

The project's enormous budget, estimated at between $130 and $150 million, has also sparked controversy. Although it's a highly anticipated title among fans, box office forecasts don't seem to indicate the same level of interest from the general public: according to data provided by Greenlight Analytics, the title is expected to gross around $20 million at its debut, a decidedly modest figure considering the production costs. Factors that could negatively impact the release include its R-rating (not suitable for unaccompanied children) and its considerable running time of two hours and forty minutes. There are therefore concerns that the film may receive a lukewarm and undeserved reception in theaters, especially considering that Anderson's films have never surpassed $76 million worldwide.

Among those who praised DiCaprio's artistic work was his colleague Benicio del Toro, who Anderson cast as Sensei Sergio. Interviewed during the film's premiere at the Chinese Theatre in Hollywood, the actor expressed his admiration for the lead actor, admitting he had wanted to collaborate with him for a long time: "Leo is one of those actors I've admired for decades, and I've never had the chance to work with him. So getting this opportunity to work with him was a great experience and a great opportunity for me, and I hope he feels the same."

Regarding the preparation required for the character—made possible by the director's extraordinary vision—DiCaprio told Variety: "We did a lot of crazy things on this movie. But that's exactly the difference. Paul Thomas Anderson is different from everyone else. He wants his character to fall during the stunts. […] Whenever you meet someone who's truly committed to making a spectacular odyssey, a director as unique as Paul, you have to jump at the chance. Honestly, I would have done any movie he'd offered me because he's such a unique and interesting director, and so good. But I'm glad I got to do this movie."

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