Condemnation of violence, but also a desire to give voice to social unrest, the desire for redemption of those who grow up amidst failure and dreams of wealth: the world of Italian rap, which now dominates the charts and racks up streaming (and revenue) records, is questioning the clashes that have shaken Milan and other Italian cities. And it's taking a diverse stance, ranging from support for a generation searching for a future, disapproval of gratuitous vandalism, and self-criticism. Marracash opened the debate: "You can't change things with nice things," the rapper from Barona wrote on social media yesterday. Sayf echoes his sentiments: "They tell us the problem is violent protests, but who is taking away people's right to a dignified future?" muses the artist, who came in second at Sanremo 2026 with "Tu mi piaci tanto." "We forget the violence of a system that puts profit above the lives and dignity of people, because the problem isn't the division between right and left, but between those above and those below, and we're all on the same side: that of those below."

Those on social inequalities "are answers that young people have been trying to get for a while now. I think we need to listen to them," emphasizes Ghali, who says he's "happy that people are taking to the streets to demonstrate for their rights and seek answers" and urges us to use "this time to talk about those who are demonstrating peacefully, because that's the real thing. Let's not get distracted." For Nayt, "since we live together in this world, at a certain point, if you don't see the other, the other will come into your house to be seen. All this fake material well-being has made even the poorest people bourgeois. Poor things." Fedez's assessment is the opposite: "I know the frustration of an ugly house in the suburbs, of a shitty job or school, of not being able to buy anything nice. I also know the adrenaline rush when the money arrives, the satisfaction of being able to show others how far you've come. This is why the shop windows in downtown Milan are the perfect target: they represent the tangible symbol of everything that is denied to those young people. I also see artists and public figures celebrating the protest, joining in as if they were part of it, without realizing that they too are exhibited in those windows. We are the ones promoting that idea of life and success. We are the ones who go to the fashion shows, we post the luxury watches, the trips, and the clothes.

A reference, likely, to Ghali, one of the stars of the latest Milanese catwalks. Luchè chooses his song "Se non ci fosse la rabbia" (If There Were No Rage) and writes, "I don't want unity / I want division / I fight with those who have / My same mission," while Nerone invites us to distinguish between "millions of people" who "are protesting peacefully to try to make themselves heard by these money-grubbing bastards" and "400 underage clowns with shark teeth and holes in their brains" who "have smashed up shops and cars like the worst of beasts." While Guè and Artie 5ive like Marracash's post, the latter responds to the criticism of those who read his words as incitement to violence: "Okay, I got a load of shit, that's fair enough, I expected it, " he writes today in a long post. But "a couple of things don't sit well with me," he explains.

"The first is that I have never glorified violence," "but when this violence happens, we have to ask ourselves questions," because despite the folly of the act, it's a symptom "of a societal failure for which we are all responsible." "A growing resentment is building in everyone," "for now it concerns the weakest and most marginalized classes, the suburbs and the second generations, but it's also growing among the middle class, who are demonstrating peacefully." Marracash also rejects "the rhetoric of 'you have money, you can't talk.'" "Having made money doesn't erase more than half of my life, and above all, it doesn't stop me from fighting for a more equitable and just world for all, nor from fighting for it."

(Unioneonline)

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